Folyosó began in the spring of 2020, when school in Hungary had gone online in response to COVID-19. After a brief interlude of in-person classes in the fall, we have been back online since mid-November, with ongoing hopes of returning to school. During this time, students have written essays, stories, short scenes, contest entries, and more; this issue features some of these winter fruits, along with Lilla Kassai’s art.
We proudly present our first international contest, for which students wrote pieces about imaginary inventions. The jury (Judit Kéri, Anikó Bánhegyesi, Nándor Szűcs, Edit Göröcs, and I) had a difficult time ranking the ten finalists; while we eventually chose winners, we are delighted to publish all ten pieces here. It was an honor to receive entries from the Lycée Sainte-Pulchérie in Istanbul, as well as from many Varga students; we hope to bring the two schools and others together for an online Folyosó event this spring.
For the scenes based on A Midsummer Night’s Dream, students were supposed to start with something in the play and take it in a surprising direction. The scenes published here—Áron Antal’s “Something Even Stranger,” Gréta Tóth’s “A Midsummer Night’s Gestalt,” Gergely Sülye’s “As from a Voyage,” Dorottya Turza’s “The Surprise of the Century,” Dávid Csáki’s “Let Him Roar Again,” Bertalan Szegi’s “Act 1, Scene 1,” and Zsófia Szabina Gávris’s “A Nice Article”—abound with wit, emotion, and surprise.
This is also the first time that we feature writers from Class 9.B (which I teach once a week); I have been impressed with this class’s imagination and look forward to publishing more of their work.
The winter issue does not include any writings from the Orwell project, but we may publish a few of them in the spring. For this project, Varga students joined with a class of tenth-graders at Columbia Secondary School to read and discuss Orwell’s Nineteen Eighty-Four. It was a great experience; you can read much more about it on the project website.
Some of the pieces in this issue grapple with difficult problems: isolation, introspection, death and grief, political vanity, and disillusionment; others delight in books, friendship, everyday mishaps and mistakes, and visions of the future. The issue’s overall spirit brings to mind William Blake’s “Auguries of Innocence“: not just the famous lines
It is right it should be so
Man was made for Joy & Woe
And when this we rightly know
Thro the World we safely go
but much more. In this issue you will find a procession of experience, thoughts, questions: from Szabina Tamara Da Cunha Carvalho’s essay “The Problem with BLM Movements in Hungary” to Hunor Gangel’s “From Late to Early”; from Gergely Sülye’s “Transformation” to Lili Forgács’s “The Truth”; from Sándor Tor’s “Is This the Future?” to Zsófia Vona’s “A Dream Come True”; from Sándor Szakács’s “Challenging Times” to Adél Mihályi’s “Personalities”; from Bettina Czékus’s “Arbya” to Eszter Aletta Hevesi’s “The Story of Gen E”; from Tamás Takács’s “Michael the Caterpillar” to Botond Vass’s “The Shelter.”
English and Civilization Teacher
Editor of Folyosó