folyosó

The Obstinate Boy

Bertalan Szegi


Our story begins on a rainy Sunday afternoon. Most of the people are just relaxing and enjoying the last few hours of the weekend, watching tv, playing video games, or simply sleeping. 

But a guy whose name is Josh is sitting at his desk and trying to understand the math homework. His math teacher said that if they solve it and get a good solution they will be awarded a good grade. Some of Josh’s classmates have already solved it, and they are happy, because everyone got the same answer, but Josh didn’t want to get any sort of help. He is a strange guy, someone who would rather get a bad grade, or do something wrong, than let other people help him. In other words he is aloof and obstinate.

Josh had been working on his math homework the whole weekend. Fortunately he was able to start it, and following his method he could get a good solution, but he made a mistake while trying to rearrange the equation and didn’t realise it afterwards. Now just as he was about to get a result for the homework, he started to realise that something had gone wrong when he arrived at a negative number for the time. He was so upset, because he had thought that his solution would be perfect. While searching for his mistake, he didn’t even realize that it was almost 8 p.m. The next day he had to go to school early in the morning, because he had a 0th lesson, but he wanted to get a good solution before going to sleep. The other people in the class got a solution, but Josh would never ask them for help; he decided not to sleep until he got the good solution. But as the hours went by, he became very tired, and totally forgot about the next day. Approximately at 3 a.m. Josh fell asleep at his desk, and slept until 12 o’clock. When he woke up, he was so angry, because he was late for school, and not able to do the homework.  His parents were so angry, because they thought that he didn’t want to go to school. And all of his work was in vain.

This situation wouldn’t have happened if Josh had asked for help. He had overcomplicated a simple exercise. Also, it’s bad to ask for help right at the beginning, before trying to solve the problem yourself, but Josh went to the other extreme by putting all of his energy into it.

The Confidence of Simplicity

Áron Antal


We are born innocent and unknowing of our surroundings, and we become who we are by being exposed to the world. At least that’s what I think, even though some of my elder family members might disagree with me on this issue. My grandpa always told me that all people carry some of their personality traits when they are born, and nothing can change them. He thinks this because my mom and her brother differ greatly; while my mother was helpful, understanding, clever and followed the rules, my uncle always got himself into trouble, didn’t play by the rules, and barely finished secondary school. Still, both of them grew up to be great adults, exceedingly good at their jobs.

But when my mother and my uncle were growing up, well, life was much easier back then. For me it would have been. No rat-race life, fewer things to worry about, more freedom, no cellphones, and the list could go on. Yet our long-forgotten ancestors would say that when they used to live, there were no cars, no trains, no airplanes, no public utilities. The fact of the matter is that circumstances have become more comfortable yet more complex over time as human civilizations thrived and progressed. And with great comfort comes great dependency.

In today’s society, we have less free time, rush here, go there, buy things and so on. We want happiness, friends, people that admire us, fame and beauty in true 21st century fashion.

What greatly disappoints me nowadays is the fact that more and more people are becoming so self-centered, maybe thanks to radical improvements on the one hand and quarantine on the other, that they stop caring about each other. Or maybe these people show caring sometimes, but mostly so that they can get affection from others. Such people are manipulative and greedy. They always try to come across as the best, the cleverest, the most beautiful, and they know they are not, but still, they can’t bear the slightest kind of confrontation or being faced with the sheer reality of situations, though their methods of “self defense” might differ greatly. They are lost in their imaginary worlds, where everything is perfect, nothing they say is wrong, and they are totally in control of their lives. They usually rack their brain for hours on end over things that in the long run will not matter, and they love to complain.

Maybe my emotional intelligence is just too high, maybe I am more advanced in mind than I should be for my almost seventeen years spent on this little wet ball of mud, so unimaginably small compared to the universe. Yet, maybe I am wrong, why should I be right, because no one can truly understand life. It just seems to me that a lot of people just waste this once-in-a-lifetime opportunity. Because life is much more simple than most people interpret it to be. Unlike anything else, such as banking, relationships etc, life has one big certainty; if you were born, you will die. That is life basically. However, between you being born and you dying, only uncertain events will unfold and happen, uncertain events that are non-predetermined, and you will get the chance to turn them into opportunities towards living your life as truly as possible. Next time you go on a trip, travel, or do something, just try to admire what is happening to you, and try to grasp the fact that each and every nanosecond of your life cannot be repeated. Try to focus, understand, help others, learn to love yourself, accept failure, learn to express yourself, explore what life has to offer and make your choices dependent on only the people that really matter to you and to yourself. Don’t worry about everything, don’t be afraid to back out of things, do something that other people disagree with. Just one important thing that you should bear in mind: try not to hurt anyone. And remember: whatever happens, happens. These are the principles that I live by.

Yet it would seem that some people are incapable of changing, and I accept that. But I just feel a bit lost in this world, and always ask myself the question: how can people live, with their minds so closed? Maybe I will never understand, and I am fine with that, as long as I am confident in what my life stands for.

Searching for a Thought

Eszter Aletta Hevesi


hevesi-searching-for-a-thought-1

Meltdown

Erika Szántó


I was walking down the straight path he led me onto. He had laid the way out for me already. I could see the light at the end. I hastened my pace.

Suddenly, a wall of amethyst rose from the ground, forcing me to stop. There was a question written on the wall. “When was the camera invented?“ Hah! Easy, around 1816. What a weird question to ask. I could hear an ear-piercing cracking sound. It came from the wall. It broke in half, letting me go forward. A piece of it cut my cheek; the burning sensation of the wound reminded me that this was indeed reality.

I strode forward along the infinite pathway. Many other walls stood in my way, all of them falling apart after I answered the question carved on them. After a while, nearly all of my body parts had multiple gashes from their debris. The questions got harder too; it wasn’t so easy to answer them anymore. I hoped I could keep up my answer streak at least until I got to the end of this straight labyrinth of trivia.

I was limping and my breathing was shallow. I can’t go on for a lot longer like this. Yet another wall rose up. “Your grave is not here.” What? What is that supposed to mean? What should I answer? What is this? It’s not even a question!

Yes. It’s not here.

The wall didn’t crack. The amethyst started to shift in color and consistency. Molten crimson gashed down onto me. The ground tilted. No. It wants me to go back. It’s gonna kill me. I have to go on!

The molten substance burned me to bones and ashes. Or maybe the velocity of the fall killed me somehow. I won’t know anymore.

Maze with No Prize

Alexandra Klaudia Süveges


People say dreams differ from reality. It may be true; people use dreaming to cope with the disappointment of the time spent awake. In dreams, anything can happen, reality is twisted, formed to your desire. Compared to life outside the fluffy blankets and pillows, dreams are a comfortable place for anyone.

There is a legend that says after a specific ritual, upon falling asleep you will find yourself before a maze. Once the alarm clock is set to 6 a.m. sharp, the game has begun. If you can manage to find a way out before hearing the alarm clock in the real world, you win. You can take anything to the real world you desire, without limits.

Here’s the catch: if you run out of time, you can never wake up again. Your desired reality would turn into a pit of nightmares without a single chance of escape. A truly one-round game.


Two players entered at the same time, each surprised to see the other. From the website where they found the tutorial—not even thinking it would remotely be true—was not even a single mention of playing in teams. Or against each other.

The first girl, observant and well-prepared, was holding paper and a pencil with a small rubber on its end. She wasted no time and ran in the labyrinth, already scribbling the layout of the visited path.

The other one sat outside, leaning against the material of the walls; pure, thin marble. Its dull white color and the repetitive carved-in pattern would make her head ache and lose patience if she were to see it all around her for the remaining six hours.


That’s what the first girl got: her paper torn by the many attempts of erasing after every corner, and the wind blew away the rubber dust, making her get completely lost before she was even halfway the end. Her rationalism and all, along with her inability to find a solution, is what led her here. At every dead end she’d recalculate the growing possibility of losing, without tactic. Not even her outstanding skills could find a way out though; she sank to the ground and gave up completely.

The second girl waited enough for the imaginary clock to tick down; she was sure the other wasn’t coming out anytime soon. Tangled in the creak of the maze, helpless, she let herself be consumed by despair and regret. She grabbed the hammer she had entered with, and ran in a straight line forwards, breaking all the marble stones in front of her.

The time was ticking sharp outside, just waiting for the morning sun to shine between the blinds. She swung the hammer left and right, not even caring about the flying shards in her way. Jumping for the last wall, breaking it with her physique, she won.


The trick? No matter where the real exit was, she would make a new one and win nevertheless.

Fight, Flight, or Freeze

Adél Mihályi


Life itself is a straight labyrinth.

From the very beginning, we are surrounded with questions. We try to figure out the answers, but later realize the more we discover, the more problems occur. They lead us with the ‘donkey and stick’ method, showing us hints at a solution, but we are so focused on the carrot that we hit our heads against the wall. After reaching multiple dead ends, we look around and find ourselves even further from the exit we were looking for the whole time.

This is the point when we get panicked and just want to escape; we would do anything just to leave this maze behind. We look at the thread that has followed all our footsteps: it is strangled by its own tangles. How is it ever going to be straight?

As Joseph Sugarman, a character from the series BoJack Horseman, said: “Time’s arrow neither stands still nor reverses, it merely marches forward.” It is moving on a straight path, and we try our best to keep pace with it, while wandering in the chaos.

…But that is impossible. Sometimes, we just have to stop fighting, forget the grey walls, the rushing time. We have to look at the sky and think about how, at the very same moment, someone else is doing the same thing, while forgetting about their own labyrinth, their life.

Sandgate

Nerses Boztaş


Clouds of dust licking longitudinally all the suburb, Sasuntsi women veiled, handling water copper buckets and spreading out their inlaid rugs on the street, settled down to gabble in a language frazzled. “Ahçig,Anunıt inçi? “ Makruhi Can, Makruhi.” Yells of Methuselah’s swearing, swearing blue streak, damning, sarcastic melodically covered grayish air and  Virgin Mary church’s bell clanging. Patriarch wormy Ohan, in the middle of the smarmy vartabets crowd, hymning Hayrmer liturgy in abundant woe, enraged as much as gulping, the whole congregation started to weep. İnçu honeng? “Why are we here? Why? But the railway had never stunk of joy and happiness. How can ironpigs bring along serenity? Contrarily they talked about Jerusalem, beauty terrenels, flowers, fig and apple trees…” passed from mind to mind. Just then, in front of gate, a scraggly boy, swarthy and black-haired, appeared. He rushed up flustered. Stumbling up and down in each bend of serpentine, stony streets of the historic peninsula, he exhaled in Hoopedstone. In front of him, there was an old, white-facade building which was never lacking in internal uproar. The old foreman was dressing down the novice apprentice. Even micro-stains remaining on the window being overlooked while cleaning up was a sufficient cause for beating.  Varbet-tradition, contradictorily demanding subsistence of us, was a just part of exiguity. When he ascended to the fourth flat, he saw senile Arto pissing by the window, mad Zınzalyan busy stuffing patties with cheese filling, and bald Aram yelling to Arto. On the bench, plenty of Ganyan bulletins creased by nervous hands were piled. İt was evident that Arto had lost his 44th horse-racing bet, dooming again. Because bequeathed fortune undoubtedly  goes into horse racing; now he doesn’t even have a common lavatory. Bald Aram, when he noticed the little boy, rumbled like a whale, “Zso, Jamı kaniye kides?” “Kide kidee kidem varbet pays, pays.” Bald Aram got nervous. ”Pays inç, pays inç, gentani.” The boy’s was saucer-eyed, his lips twitching in fright. “Pays, varbet, şat kalelu der mi ga.” Bald Aram, flaring out, said, “Betkevor zezs çudes, ganuğh bidi cas,” and made him stand on one foot for punishment. Mad Zınzal gave a silly glance, once at the boy and twice at varbet bald Aram. And the boy was thinking. It it worth it for us to go on working, suffering here? And what to say for Garabet, Hagop, Mıgır? Education will hit us? Witnessing a sargavag, elder man Zınzalyan, now he is busy being parasitic. He cares, no? Arto? Thousandfold endeavoring though his fortune has been lost? But has he been lost? Or bald Aram,a  foreman creating global diffusion of jewellery. But on the other hand, he is quite realistic. He tortures me. When I expressed to my family that I can’t understand human behavior, they disdained me as a child. But a child growing up becomes a more childy child. Childhood in Sandgate is adulthood. An adulthood is childhood part one.” With a sudden seizure he fell in a heap in front of everyone’s eyes.

Armenian glossary

Sasuntsi women:The women of Sason

Ahçig,anunıt inçi? “Makruhi Can,Makruhi”: the refrain of a folk song named “Makruhi can,” meaning “girl what’s your name, Makruhi Can, Makruhi?”

vartabet: a priest in the Armenian church

Hayrmer: a liturgy meaning “our mother”

Varbet-tradition: mentor system

Zso, jamı kaniye kidess?: Hey you, what time is it, do you know?

“Kide, kidee, kidem varbet pays,pays”: I know, know my master, but…”

Pays, varbet, şat kalelu der mi ga: “But my master, it’s a long way to walk.”

sargavag: deacon

Betkevor zezs çudes, ganugh bidi cas: In order not to be beaten, come earlier! 

Letter from the Editor


Winter is in full swing, the year is proceeding sometimes in slow motion, sometimes in a flurry, and somehow, almost out of nowhere, this winter issue came into being. We usually have plenty of pieces set aside from previous semesters or years; that wasn’t the case this time. But with a few requests, invitations, assignments, and encouragements, a plethora of pieces took form. This may be my favorite issue yet, at least in certain ways.

One piece from last fall’s international contest, by Nerses Boztaş (a student at the Lycée Sainte-Pulchérie in Istanbul), had intrigued me with its style and subject matter; I had promised to publish it in the winter issue, after some more editing and correspondence with the author. The final version has the liveliness and intensity of the initial version, along with clearer meaning for a general reader. We are delighted to feature it here.

For one English assignment, I asked students to write a piece inspired by the phrase “straight labyrinth”; if they wished, they could draw on János Pilinszky’s poem “Egyenes labirintus” for inspiration, but this was not required. This resulted in an exceptional variety of interesting pieces—funny, philosophical, melancholic, startling, agonized, matter-of-fact. Eighteen of them are published here in a special section.

Speaking of Pilinszky, you are cordially invited to a free online event hosted by the ALSCW (Association of Literary Scholars, Critics, and Writers) on March 20. While not directly related to Folyosó, it is of possible interest to Folyoso writers and readers. I will be interviewing the poet Csenger Kertai and the musicians/songwriters Sebestyén Czakó-Kuraly (Cz.K. Sebő, Platon Karataev) and Gergely Balla (Platon Karataev) about Pilinszky’s influence on their work and thought. The discussion will be combined with recitations of Pilinszky and performances of the guests’ own work. For more information, see the event website and Facebook page.

Another section of this Folyosó issue features imaginary college application essays, an assignment for American Civilization class. Students were asked to pretend that they were applying to an American college or university and to write an essay in that vein. The purpose was to explore some differences between the educational systems Hungary and the U.S. The results were intriguing and lively.

The issue is rounded out by two dream-stories, two essays (one on walking and one on reading), and three beautiful works of art by Lilla Kassai, the cover artist for this issue.

The next issue will come out in mid-May. In the meantime, stay warm and healthy, come to the Pilinszky event if you wish, and—if you are a Varga student—send us your writing! (Our next international contest will be in the fall.)

Sincerely,

Diana Senechal
Founder and Editor of Folyosó

Letter from the Editor


Another year, another autumn, another Folyosó—but this is much more than repetition. This issue stands out for the sheer abundance and quality of international contest entries, the plethora of forms and styles throughout, the students’ eagerness to revise and perfect their work. More than any other time, students have rethought and rewritten their work independently, sending me one new version after another. This is part of the joy of editing Folyosó: watching the writing take off in so many different ways.

This autumn, many Hungarians and others around the world have been commemorating the 100th anniversary of the poet János Pilinszky’s birth. At the Varga Katalin Gimnázium, on November 25 at 7:55 a.m., three students, all of them contributors to at least four issues of Folyosó, read four Pilinszky poems over the loudspeaker. You can hear their reading here. It is not directly connected to the journal, but we here at Folyosó appreciate a worthy tangent, which sometimes turns out to be the essence of things, not a tangent at all.

A lot goes into preparing and releasing each issue of Folyosó—there’s the typical last-minute rush and hubbub—but we also recognize that thinking, writing, and editing take time. So we often save pieces for future issues. One such piece is “Kumkapı” by Nerses Boztaş, a finalist in the Autumn 2021 international contest, which we will feature in the Winter 2021–2022 issue. We look forward to publishing it!

As for the current issue, where to begin? Start anywhere—maybe at the top, with Roza Kaplan’s startling and moving “Raindrops in the Darkness.” Or perhaps you’re in the mood for an absurdist story-play about two cats with a grand plan. In that case, “How to Become Rich” by Fanni Korpás will be just right. Or perhaps you would like to read a poem that takes visual risks. Zeynep Cicimen’s and-but-so: Simply Written “Eternal Solitude” (accepted) does that and much more. Maybe Áron Antal’s conscience-shaking piece “A Contradiction in Itself” will be one of your first selections, or Borbála Sós’s playful “Dog’s Dream,” or Ecem Göksenin Aday’s eerie yet joyous story “The Reflection,” or Aurelia Wiggins’s bracing poem “On the World.” Wherever you start, we hope that you will continue!

The contest brought in an unprecedented number of submissions, this time from three countries. I would like to thank my fellow jury members, Marianna Jeneiné Fekete and Anikó Bánhegyesi. It was difficult to select the winners, but we enjoyed the task, since the pieces were so interesting.

The next issue will come out in mid-February. In the meantime, we wish you happy reading, or rather, readings of many colors and moods!

Sincerely,

Diana Senechal
Founder and Editor of Folyosó

and-but-so: Simply Written “Eternal Solitude” (accepted)

Zeynep Cicimen


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